Friday, May 05, 2017
Show Time: 8:00 PM / Doors Open: 6:00pm
100 - Early Entry Tickets at 5:00 Available - $40.00
Minors under 21 must be accompanied by Parent or Legal Guardian
Sharpe nodded in agreement before comparing The LACS latest and most radio-friendly album Outlaw in Me to a mix CD of their favorite music burned on a laptop. The duo has been together since 2000 and Outlaw, which is their fifth album since signing with Average Joe’s Entertainment, is a watershed effort from The LACS that sonically broadens their musical scope and blends together every genre from traditional country and southern rock to rap and spoken word. But it’s their true-to-life lyrics that paint a series of authentic compositions depicting the life of a pair of hillbillies from South Georgia. “We love writing about stories that we’ve lived,” said King, of their biographical 12-song effort that could prove to be a breakthrough of sorts. Sharpe added, “You won’t hear us singing about Bentley’s because we don’t know nothing about that. All we know are our stories and our family’s stories growing up. It’s how we relate to music. It’s like Johnny Cash. We love him because every song of his kind of told a story and you could tell it was real. That’s how we want to be.” Label it however you choose. They call it country.
Baxley, a slow-moving rural town of just over 4,000 residents, where Sharpe grew up a country boy, is a place where everyone knows everyone else’s business and newcomers are known as outsiders. There’s one elementary school, one high school and, until recently, only three red lights. “No we got a fourth and a Wal-Mart,” said Sharpe, “so, yeah, we’re stepping up.”
Both his parents worked and, as a young boy, he’d tag along with his old man and spend summer days hanging out on construction sites, while listening to a local country radio station.
Those early formative years is when Sharpe’s love of country music developed in the late 1980s and early 1990s. However, it wasn’t until he was 20 when a then-18 year old King moved with his family from Waycross to Baxley that The LACS first met up. They liked a lot of the same music – Garth Brooks and George Strait, Pink Floyd and Metallica along with Tupac and Nelly – and as quickly as they befriended one another they started writing lyrics as if they had been kindred spirits since childhood. King was a self-taught guitarist and the two fast-friends pooled their money together to buy a cheaper version of a beat box they still use when they perform on stage today.
In 2001, they saved up another $2,500 to pay for 40 hours of studio time – half of which they spent recording their first self-titled album and the other half of the time was used to mix and master – and 1,000 copies of the CD to sell in parking lots and parties. Over time they built up a cult following of fellow rednecks and hillbillies and eventually drew the attention of Average Joe’s.
Last fall they released their fourth album and this spring the prolific songsmiths are already back with yet another studio album, which features the first single God Bless a Country Girl. “It’s a fun little song,” said King. Sharpe and King have matured personally and especially professionally since the first time they plugged a $7 microphone into a boom box, which still says a lot about their authentic writing process.
Then and now, The LACS enter the studio with half the album written and then finish the second half of the writing process while recording the first half. Their fans, who both King and Sharpe describe as rowdy, loud, hardworking rednecks, have come to expect songs about the south – beer drinking, mud bogging and more drinking – that remind them of their own lives. “Brian and I have prided ourselves on putting out real music that we lived,” Sharpe concluded, “and not just writing about some topic because it was a No. 1 for somebody else.”